AMY BILLIMORIA’S FASHION SHOW FOR A GOOD CAUSE GLOBALIZATION

Fashion Designer Amy Billimoria is all set to come up with her new collection based on GLOBALIZATION.It was a preview of Amy’s fashion show where all models tried their outfits.Students of B.D Somani are assisting Amy for this wonderful cause. Amy is guiding them for making good & fashionable outfits. The Models who are going to walk on the ramp wearing these outfits are Alicia Raut, Candice Pinto, Shona and Sonal Chauhan.She basically wants to give a message to the society that there is a big need to REUSE & RECYCLE things. She turns to be more creative by using the theme of Globalization into her collection.This event will be held on 6th May 2012, Sunday at Shanmukhanand Hall, 7:30pm onwards.

bollywood wallpapers

The Bollywood is a pet name of Indian film industry located in the financial city of Bombay. This film industry releases maximum number of films compared to the American film industry Hollywood. All movies are three to four long and follow the similar movie screen play called masala. The main attraction of Indian film industries is that every film consists of many songs. All the Bollywood songs are based on main theme of film. The Bollywood songs mp3 are available in various Indian website to download and listen. All the Indian movies have the sentiment, love, friendship and have happy endings in each film. Bollywood Movies are screen on all theatres over the word in regular basics. India is a country with many official languages and different language cinemas. The Bombay leads the Hindi film industry. While Chennai based film industry is called Kollywood which produces film in Tamil language. Every portion of India is fragmented with various film industry based on their languages. The most popular film industries in India are tollywood, Bengali movies, Marathi movies, and sandalwood.

The movie production place is an Indian government owned studio. This place is located in the northern border of Mumbai and this place is also called as "film city". The Bollywood was initiated during 1911 with first Indian silent film. The actors in India are very popular and getting more payments by bearing the budget of the films. The Indian fans are very crazy about their favorite actors. The film release of favorite is celebrated like a festival all over the world. The Bollywood wallpapers featuring various actors is the most downloaded web content in India. The female star Amrita Aurora's wallpaper is very popular and famous among the Indian cinema lovers.

God's wallpaper fills our personal livings with God's worship we want to study the procedure of adore. To keep the mentality packed through what we spotlight on. If we hear to re center our mind once more and to fall on love, automatically we also refocus on God. Image assists such as wallpapers or picture on the partition or the loveliness of actual nature around our residence and a working place. This whole god wallpaper album fashioned to facilitate you to recognize, and to become attentive to study and to get pleasure from God's love.

The Indian film industry is developing nowadays from the traditional sentiment film to the high-tech science fiction oriented film. The leading male film stars like Rajinikanth, sharukh khan, Amita Bachan, Amir Khan and much more handsome stars often receive 40 % money as salary from the total budget of the film. The female lead stars are having equal screenplay importance of the movie but not the salary amount. The Indian film industry Bollywood is becoming more popular all over the world.

Below you can find High Quality Bollywood Wallpapers to decorate your desktop, hope you like them. I'll be updating the blog with latest High Quality Bollywood Wallpapers as often as possible.

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Agneepath 2012

While partaking in a debate on remakes for a leading news channel, the host posed a query to me: Do you think that a cult movie should be remade? Why restructure or revise the sacredness of a film that's so perfect? I instantly put forth my perspective and responded that if a brand is remade with a contemporary approach and in-the-running stars and if there is an enthusiastic audience to watch the cinema, I don't see any harm in recreating a famed work of genius. All I expect is the makers don't make a mishmash of the cult movie. It should come across more as an acknowledgment to the masterwork.

But there's a flipside to what I mentioned above! The actors and film-makers involved in remaking a classic cannot escape minute and meticulous evaluation and comparisons because cineastes are going to walk in with predetermined conceptions. Remakes come with a certain baggage. Matching the standards and aesthetics of the original is the prime criteria. 

It's Hrithik Roshan's turn to wear the mask of the iconic character portrayed by Amitabh Bachchan two decades ago. Though not a money spinner then, AGNEEPATH did fetch Bachchan Sr. the National Award in the Best Actor category and is considered amongst the best films made that year [1990]. Twenty two years later, Vijay Dinanath Chauhan is brought alive by first-time director Karan Malhotra in Karan Johar's homage to the original film, which was produced by his father Yash Johar and directed by Mukul S. Anand. It's a colossal challenge for any actor/maker to pay tribute to a cult film, which continues to linger in our memory even after two decades. 

The premise is the same. Well, almost. So is the vital dialogue from the film which comes at a very crucial juncture in the present-day adaptation of AGNEEPATH: "Naam Vijay Chauhan, baap ka naam Dinanath Chauhan, gaon Mandwa." 

AGNEEPATH is an uncomplicated story of revenge, is hard-hitting yet entertaining, dwells on strong emotions and aggressive and forceful action, yet is dissimilar from the original. Debutant director Karan Malhotra sponges from the original, but bestows the new version with a fresh texture [screenplay adapted by Ila Bedi Datta and Karan Malhotra]. Krishnan Iyer M.A. [portrayed by Mithun Chakraborty in the original] is done away with, while Malhotra introduces another negative character called Rauf Lala [Rishi Kapoor] to make the proceedings more volatile and explosive. One can envisage the kind of burden the director has shouldered and despite the fact that viewers would be scrutinizing the goings-on with a magnifying glass and watching every frame minutely, you cannot refute the fact that Karan Malhotra has done a remarkable job as a storyteller. 

In a small Indian village Mandwa, Vijay Dinanath Chauhan [Hrithik Roshan] is taught by his principled father [Chetan Pandit] about the path of fire -- Agneepath. His life is completely shattered when the evil drug dealer Kancha [Sanjay Dutt] hangs his father to death. Vijay leaves for Mumbai with his pregnant mother [Zarina Wahab] and has only one mission in life -- to come back to Mandwa and bring back the glory of his father's name. 

In Mumbai, the 12-yr-old Vijay is taken under the wings of the city gang lord Rauf Lala [Rishi Kapoor]. From then on it is a journey of revenge where he makes and breaks many relationships, only to get closer to his aim. Vijay finds support only in his best friend Kaali [Priyanka Chopra], who stands by him at every moment in his life. Fifteen years later, his hatred for Kancha takes him back to Mandwa where life comes full circle. 

Most Hindi films initiate with a bang, but run out of gas by the time they reach the finale, often getting deflated in between as well, but AGNEEPATH is vigorous from the very commencement to the absolute conclusion. The conflict at the very initiation and also towards the closing stages, the tension between Vijay and Kancha and also between Vijay and his mother, the game of one-upmanship played by Vijay to grab power… AGNEEPATH is one exhilarating ride. A vendetta story needs to be garnished with several terrific dramatic moments and Malhotra does just that. His handling of the subject deserves brownie points. The only 'hiccup', if one may say so, is the romantic track towards the first hour, which is lackluster. 

The assessment of the movie would appear fragmentary if one would disregard the colossal contribution by action director Abbas Ali Moghul. Raw and gritty are two expressions that best illustrate the action scenes in AGNEEPATH. Kancha is larger than life and stronger than the protagonist, so when good eventually triumphs, the heroism ought to come to the forefront and it does so forcefully, convincingly and copiously. The action scenes are sure to draw whistles and claps, especially the one in the finale. 

Harmonious compositions have constantly been the hallmark of Karan Johar's movies and the music of AGNEEPATH is no exception. The songs, composed by Ajay-Atul, may not be chartbusters [except 'Chikni Chameli'], but the compositions are in sync with the texture of the film. The pick of the lot is the devotional number as well as 'Chikni Chameli', which is already a rage. The background score, also by Ajay-Atul, is electrifying and exhilarating. Cinematography [Kiran Deohans; additional cinematography: Ravi K. Chandran] is commendable. The outdoor portions specially deserve special mention. 

The commanding dialogue [Piyush Mishra] is yet another champion of AGNEEPATH. The striking sequences in the movie get elevated to a different level thanks to the superior channel of communication. This is one of those films where numerous novel lines hang back in your memory much after the movie has wrapped up. 

The pertinent query that comes to one's mind is whether the new avatar of Vijay Dinanath Chauhan has enough inferno in him to match up to the magnificent performance of Sr. Bachchan. The answer is in the affirmative. Hrithik comes up with an astoundingly arresting performance. He does not emulate the veteran's portrayal of Vijay Dinanath Chauhan. Instead, he approaches the character in his own distinctive mode. AGNEEPATH only reiterates the fact that Hrithik has grown into a far superior and complete performer. In fact, the performance has the potential to keep the whistle blowers busy thanks to his magnificent interpretation of an iconic character. 

Despicable and intimidating characters are non-existent in Hindi movies, but more recently Prakash Raj [in SINGHAM] and now Sanjay Dutt [in AGNEEPATH] are ready to revive the era of baddies. Sanju is electrifying as the hardhearted, brutal Kancha and his sinful getup only augments the impact of his performance. The menacing getup adds abundantly to the evil/stony character and his performance in the penultimate 30 minutes, when Kancha confronts Vijay, is the hallmark of the movie. This performance would prove to be yet another turning point in his career, after NAAM, KHAL-NAYAK, VAASTAV and the MUNNABHAI series. 

Everyone is familiar with the fact that AGNEEPATH is fundamentally a tale of vengeance between Vijay Dinanath Chauhan and Kancha. So, logically, there's not much for the leading lady [Priyanka Chopra] to do in the narrative. Yet, Priyanka's character Kaali is significant to the story and expectedly, she sinks her teeth into the character. Contrary to what a lot of people believe, she's not an ornamental item in the movie. 

Though Rishi Kapoor has attempted a negative role in KAL KISSNE DEKHA, it still wasn't as menacing as AGNEEPATH. Trust me, his performance is going to shock a lot of people, especially those who are familiar with his wide-ranging body of work. He's exceptional as Rauf Lala, enacting the bad guy with fervor and passion. 

The film boasts of a number of characters, but the one that stands out is Arish Bhiwandiwala, who portrays the young Vijay Dinanath Chauhan with flourish. Zarina Wahab is natural, Om Puri is wonderful, Kanika Tiwari is decent, Chetan Pandit is adequate, Rajesh Tandon is perfect and Deven Bhojani, first-rate. Katrina Kaif sizzles in the item number 'Chikni Chameli'. She looks sensuous and catches your attention with super-energetic dance movements. 

On the whole, AGNEEPATH is a fitting tribute to the masterwork. The movie has all the potential to scale dizzy heights of victory and catapult Hrithik Roshan as the newest member of the 100 cr Club, besides providing the Hindi film industry with the first giant Blockbuster of 2012. A definite winner!

Amitabh Bachchan reveals the secret of Bollywood's success

It's an extraordinary concoction of dashing heroes, evil villains, insurmountable obstacles and star-crossed lovers.

Welcome to the world of Bollywood, Mumbai's film industry, where anything can happen, so long as there's a happy ending and lots of singing and dancing. The implausible plotlines and over-the-top dance moves may sound cheesy to some, but it's this very formula that has entranced an entire nation, with around 10 million Indians going to the cinema every single day.

"We have a bit of everything," said Bollywood actor Amitabh Bachchan. "When people go to get entertained, they go to see a bit of music and dance and drama. A living legend in Hindi-language cinema, Bachchan, better known in India as "The Big B," has made over 150 films in a career spanning 40 years.

"Our films have a lot of escapism," he continued. "Many times the West (has) been somewhat cynical about the quality of our films. But I think perhaps they do not understand the reason why our films are made and why they have this particular nature," Bachchan said. Producing over 1,000 films each year, Bollywood is the largest film industry in the world. But unlike its American counterpart, success comes not from international saturation, but its ability to cater to the millions of hard-working Indians across the subcontinent.

Farah Khan is one of Bollywood's most successful choreographers. She believes the essential element of any Bollywood Movies, and the key to the genre's success, is the iconic song and dance routine. "It is not an easy life in India," she said. "If my driver or maid wants to go and watch a movie, they want to have a damn good time.

"In India, a song can have absolutely nothing to do with the movie, but still you put them in there because they bring in the crowds. Audiences want to dance, they want to have a party. "They don't want to go and get depressed and watch some hard-hitting, realistic, depressing movie," she continued.

Bachchan agrees: "Indian audiences don't want to go inside a theatre to be educated. They want to go in for entertainment." Bollywood's unique style and unapologetic "cheesiness" is, says Khan, its greatest asset. While Hollywood has infiltrated cinema industries across the globe, it has failed to dilute India's passion for the genre. "I really feel that the only reason Bollywood has not been eaten up by Hollywood like other film industries, is because of our song and dance," said Khan. "We have that ingredient that Hollywood films don't.

Sajid Nadiadwala’s Housefull 2 Premiered In Singapore

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The Dirty Dozen starcast turned up in full force for the world premiere of their forthcoming film NGE’s Housefull 2 held at Sentosa Island, Singapore last night.

Produced by Sajid Nadiadwala, Housefull 2 saw its world premiere at the Festive Grand Theatre at Resort World Sentosa where fans got a chance to interact with their favorite stars. Akshay Kumar, John Abraham, Asin, Jacqueline, Zarine Khan, Riteish Deshmukh, Shreyas Talpade, Shazahn Padamsee, Chunky Pandey, Rishi and Randhir Kapoor took to the red carpet for the film’s premiere, which could well be the first world premiere of a major Bollywood film to be held in Singapore.

Talking about his selection of venue says producer Sajid Nadiadwala, “I have shot here in the past and I am glad that Housefull 2, is being showcased at the RWS destination. What is even more heartening, is that the first show has been booked completely and is housefull.”

Speaking at a news conference director Sajid Khan said, “I just kept one person in mind while making this film – the audience and not anybody else.” The sequel of the 2010 hit that revolves around four fathers, four daughters and four prospective sons-in-laws who all want to partake in the riches they hope will come with a marriage, will make the audience laught. The action scenes in the film are orchestrated under the guidance of Thailand action company – Seng Kawee of Rambo and Lara Croft fame.